Fiesta der Leidenschaft * Peter Welz. * Writers. Renate Fräßdorf. Claudia Rosenkranz. * Katja Studt. Max Tidof. Hannelore Hoger. Fiesta der Leidenschaft (TV Movie 2004) - IMDb
Directed by Peter Welz, the film is a romantic drama set against the backdrop of an equestrian estate. It explores themes of family legacy, romantic tension, and the world of horse breeding.
(Max Tidof). She is instructed to "accidentally" meet and observe him without revealing her true intent. The Encounter:
The movie follows (played by Katja Studt), a young and ambitious journalist who accepts a lucrative but highly unusual assignment. She is hired by a wealthy, elderly, and ailing consul named Johanna Schwartz (played by veteran actress Hannelore Hoger). Katja Studt-Fiesta Der Leidenschaft-01.avi
: Renate Fräßdorf and Claudia Rosenkranz (based on the novel Die letzte Fiesta by Rosenkranz) : Psychological Thriller / Drama
Such a title likely indicates a made-for-TV movie, a featured episode of a drama anthology, or a romantic drama film where Studt portrayed a central character involved in a high-stakes emotional plot.
| Category | Information | | :--- | :--- | | | Fiesta der Leidenschaft | | English Translation | Fiesta of Passion (approximate) | | Director | Peter Welz | | Writers | Renate Fräßdorf and Claudia Rosenkranz (based on her novel) | | Producers | Laurens Straub and others | | Cinematography | Uwe Mann | | Genre | Drama, Romance | | Runtime | 85 minutes | | Production | Countries : Germany & Spain Language : German | | Release | TV Premiere : December 20, 2004 on ARD in Germany (An earlier premiere in 2003 is also cited by some sources) | Fiesta der Leidenschaft * Peter Welz
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Collaborations with renowned German directors who value her professional discipline and talent.
The creative team behind the camera includes casting director Tina Böckenhauer, costume designer Petra Kilian, and makeup artist Ulrich Ritter, among others.
At the center of the film is Katja Studt, who portrays a young woman caught between traditional expectations and her own desires for independence. By 1997, Studt had already established herself as one of Germany’s most promising young talents, having gained critical acclaim for her role in the 1994 film Die Sieger and various television dramas.
